ENTRAINMENT ACROSS TIME- A MESSAGE FROM THE PAST
The videotape of Glenn working a target on camera is out and making the rounds in the remote viewing community. It is something. People watch it and are justifiably impressed with the quantity and quality of data Glenn produced on what is, on the surface, a simple validation target.
But, in the phrase coined by Paul Harvey, “Now, the rest of the story.”
HRVG president and chief instructor Glenn Wheaton is working a series of targets as part of an experiment that has him attempting to send a message across time. The target work is blind, done in front of the class with a video camera recording every moment of his work.
It was a Monday night class, March 17, 2007. We assembled at HRVG headquarters in Kaneohe, Hawaii for pupus (Hawaiian word for light refreshments) and conversation around the kitchen table. Out in the other room the white board (dry erase board) stood ready with a Nimo Icon and the target ID S301-E9K6 in the upper corner of the board.
This target was selected from a pool of old issues of OMNI magazine. From this collection of old magazines targeteers (members of HRVG) picked an article about the 1978 Balloon Fiesta in Albuquerque, New Mexico. The published photos showed colorful sports balloons floating above the majestic expanse of desert, with the nearby Sandia Mountains near Albuquerque.
One HRVG student acted as targeteer and assigned a random set of letters and numbers (target ID) to the target. The target cue was written:
ALBUQUERQUE BALLOON FIESTA, ALBUQUERQUE, NEW MEXICO, 1978.
A sub cue was added; the author who had written the article about the event in Omni Magazine.
Glenn was given only the target ID. S301-E9K6 He worked the session on a dry erase white board, live in front of the class with a camera rolling. The work was blind, with no frontloading whatsoever.
From a remote viewing standpoint the session recorded that night is remarkable. No remote viewer has ever worked a live target, blind, on camera, and produced such results. If there’s a session published with more correct detail and insight into the target I have not seen it. It’s the best example of remote viewing ever captured on video, without a doubt. Glenn stood there for over an hour and produced incredibly detailed and accurate information about the event, the location, the terrain, and the people involved. His data included an amazing number of specific details about the balloons, about the festival. He drew and described the surrounding land, correctly describing the elevation of nearby mountains, the temperature at the site, and the history of the location. His session detailed the exact activity of the people there at the target- down to their names (he sketched one person exactly) their hobbies. This was information not included in the article used as the target cue, and not known by the taskers. Just about all of it was later verified.
So this was without question the finest exhibition of remote viewing on a verifiable target ever recorded. But the purpose of the work was not to see Glenn Wheaton produce a validation session just to showcase his remote viewing abilities. There was much more to it.
Prior to receiving feedback (remember he worked this session blind and was not given the target feedback until much later) Glenn spent a week going back to the target. He went there in experiential “you are there” S-5, an advanced remote viewing technique that places the viewer’s consciousness there on target with full clarity. He used his earlier work as a vehicle to allow him to access the past and become part of it.
New Mexico has a rich history involving Native Americans. Their culture, art, and petroglyphs are evident throughout the area. Remember that Glenn had no idea what the target involved until he worked the session live on camera on March 17. Prior to getting feedback he revisited the target and attempted to send a message in time. His objective was to find Native Americans in the New Mexico area (before it was known as New Mexico) and to get close to them during his S-5 session. Then, using his presence at target, to project the thought and image of the HRVG NIMO icon.
If you look at HRVG sessions you will see a face-like icon with lines. This is the Neuro Interrogation Mask Overlay, or NIMO. We employ NLP techniques to facilitate communication with our subconscious using this probing icon. The icon is unique and distinctive. We have not seen it in Native American art, petroglyphs, or icons. Glenn wanted to go back and be part of the past, and take that NIMO icon with him so that it would show up now in the present- on a photo of a balloon in the magazine, or in rock art on the internet, or as the history of Native American symbology.
In a recent interview I asked Glenn about his intent in working the target and attempting to send a message to the past.
“I had the target ID for an entire week before I worked it on the white board,” he said. “And it was an entire week after I worked it on the white board before I got feedback. I had a week to let that target ID settle in my brain, and then after I worked the target for you guys I had a week to play with the target before I got feedback.
"The reason I wanted to work a series of targets was to get an access door to the past. You guys might remember that last year I said after numerous classes on entrainment- I gave everyone homework about ways it might be possible to send a message to the past. A message that would persevere to the present and we should be able to go open a book somewhere or hear something or know something as a result of that message.
“So the five targets I'm going to work are an actual exercise in entrainment across time. In that target that was the Oct 1978 Balloon Fiesta in New Mexico, the data I generated in the target work about the Indians was the most interesting of all the data in the target to me. So in the week following me working the target and getting feedback from you, I used that target ID to go back to that area to look at activities of the local Indians in a kind of an S-5 type environment. And it was my intent to find an Indian responsible for the petroglyphs in that area. Or the tribe responsible for the petroglyphs and visit the tribe at a time when those petroglyphs were being made, and attempt to by a variety of means- and I must have tried a dozen times- try to make our Nimo icon become part of the library of Native American petroglyphic art in that petra-inundated area. So it was my attempt to try and make our Nimo icon our Neuro Interrogation Mask Overlay icon desirable as mutual symbology in Native American art.
“I wanted our Nimo Icon to surface in Native American art either in petrogylphs or woven so I wrote out several scenarios in which an Indian person from that area at that time would either craft a Nimo Icon paint a Nimo Icon or chisel it into stone. In a few months I'll go look. I 'll look at Native American art from that area and see if a nimo icon shows.”
I had to stop Glenn at this point. “But hold on!” I said. “The remote viewing community will certainly try to label this as Remote Influencing.”
Glenn is adamant about that subject,
“It couldn't be remote influencing,” he states. “If remote viewing allows you to travel back in time then you would be part of it. So influencing it would not be appropriate. To influence it would be the demonstration of mental power to CHANGE (emphasis added) something that is. What we're going to do is become part of something that was and will always be.”
I asked, “So you’re not going back and projecting a mental image of Nimo?”
Glenn answered, “Not really like that. But if you were at a wall drawing on a certain amount of basic creativity in which you were going to make art-”
I interjected, “So the Native American at the target is listening to HIS subconscious…”
“Right,” continued Glenn. “What if you were just.. just… what if you aided, by being part of the environment from which he drew that creativity and as a result he spontaneously of his own free will drew the Nimo icon, thinking it looked of something of a human and a sunburst. And it's possible. If that turned up tomorrow and that was the case, it's not remote influencing because I didn't change something that wasn’t; I was part of something that became. So I didn't change something that already happened. I was always there, it was always just as I saw it.”
So now for feedback. We at HRVG are looking for Native American artwork and petroglyphs that show the HRVG NIMO icon. A message from the past. Or back to the future?